Antoine Wiertz

Belgian Painter, 1806-1865 Belgian painter and sculptor. He was from very humble origins, but his talent for drawing was detected at an early age. He was sent to the Antwerp Academie, where he attended classes given by W. J. Herreyns (1743-1827) and Mathieu Ignace Van Br?e. During a stay in Paris from 1829 to 1832 he came into contact with the Romantic painters, in particular Th?odore G?ricault, who fostered his admiration for Rubens. In 1832 he won the Belgian Prix de Rome and in 1834 left for Italy where the works of Raphael and, above all, Michelangelo made an overwhelming impression on him. In Rome he abandoned the landscapes and scenes from Roman life, for which he showed a certain talent, and embarked on a much more ambitious work, the Greeks and the Trojans Contesting the Body of Patroclus (1835; Brussels, Mus. Wiertz.). The painting proved the turning-point in Wiertz's career. Its frenzied composition and violently contorted figures excited considerable interest in Rome.


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Antoine Wiertz The Reader of Novels oil


The Reader of Novels
Painting ID::  92457
The Reader of Novels
Date 1853(1853) Medium oil on canvas Dimensions 125 X 157 cm (49.2 X 61.8 in) TTD
   
   
     

Antoine Wiertz self portrait by Antoine Wiertz oil


self portrait by Antoine Wiertz
Painting ID::  94270
self portrait by Antoine Wiertz
1860 cjr
1860 cjr
   
   
     

Antoine Wiertz The Young Sorceress oil


The Young Sorceress
Painting ID::  94271
The Young Sorceress
oil on canvas 1857 cjr
oil_on_canvas 1857 cjr
   
   
     

Antoine Wiertz Autoportrait a lage de 18 ans oil


Autoportrait a lage de 18 ans
Painting ID::  97946
Autoportrait a lage de 18 ans
oil on canvas Dimensions 81.3 x 62.5 cm cyf
oil_on_canvas_ Dimensions_81.3_x_62.5_cm_ cyf
   
   
     

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     Antoine Wiertz
     Belgian Painter, 1806-1865 Belgian painter and sculptor. He was from very humble origins, but his talent for drawing was detected at an early age. He was sent to the Antwerp Academie, where he attended classes given by W. J. Herreyns (1743-1827) and Mathieu Ignace Van Br?e. During a stay in Paris from 1829 to 1832 he came into contact with the Romantic painters, in particular Th?odore G?ricault, who fostered his admiration for Rubens. In 1832 he won the Belgian Prix de Rome and in 1834 left for Italy where the works of Raphael and, above all, Michelangelo made an overwhelming impression on him. In Rome he abandoned the landscapes and scenes from Roman life, for which he showed a certain talent, and embarked on a much more ambitious work, the Greeks and the Trojans Contesting the Body of Patroclus (1835; Brussels, Mus. Wiertz.). The painting proved the turning-point in Wiertz's career. Its frenzied composition and violently contorted figures excited considerable interest in Rome.

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